The very act of language, of meaning production, is a bodily function. Cognition emerges from neural and tactile links in space and time. The project Being Unthinkable... have emerged from physical language games and sensory experiments in artificial intelligence and robotics. The artwork emerges through cognitive and bodily interaction, through questions and queries, through movement, and chromatic intensity. It is a synthetic exchange of meanings.
 

The process of searching for a form for the robotic being has involved both conceptual and technical challenges. The form has been reiterated multiple times, during an 18 month-long process, working with roboticists, philosophers, and engineers. It deconstructs ideas and knowledge from humans, biotechnology and is designed to be constantly interactive and interchangeable.

The sculpture utilizes color, movement, and the aesthetics of chance and randomness for its mode of action. It moves as to question the function of its very robotic parts. Parts that acquire new meaning through a questioning of the basis of technological innovation.